You Might Be an English Major If...

~ You like to laugh at whoever made notes in your literature book before you. They had no clue what they were talking about.

~ You get a special thrill when you've already underlined a passage your professor highlights in class.

~ It takes you three times longer than necessary to study for a literature exam, because you keep getting caught up in how beautiful the words are.

~ Your idea of "relaxing" is paraphrasing Paradise Lost in modern English.

~ You're reading a book for pleasure, but keep feeling like you ought to be taking notes.

~ People ask you grammar questions instead of looking up the answers, because you're faster.

~ Some of the truest joy you've ever felt comes from finding a book source that is truly PERFECT for your research paper. (This happened to me about an hour ago and I'm not gonna lie, I'm still coming down from it.)

~ If listening to your favorite song looks like this.

~ You experience gut-wrenching horror, anger, and sorrow when book-burning is mentioned.

~ A fun evening of relaxing can totally include watching a Macbeth adaptation or reading scholarly articles on femininity in "The Birthmark."

~ You are beyond tired of the question, "So do you wanna teach then?" English majors do not have to be teachers any more than math majors have to be calculators.

~ It feels completely normal to spend 80 minutes talking about phallic and yonic symbols. In fact, you don't really even notice.

~ The inappropriate use of "literally" makes you want to walk away from a conversation--LITERALLY.

~ You are the go-to person whenever someone needs his or her paper edited. And you don't mind.

~ You hear the phrase "country matters" and start giggling mischievously, because Hamlet.

~ You check out a book at the library called "Gold-Hall and Earth-Dragon:  Beowulf as a Metaphor" JUST BECAUSE IT SOUNDS INTERESTING.

~ You have turned in over 100 pages of writing this semester.

~ You cringe whenever directly quoting forces you to use controversial punctuation. {I like my Oxford commas, thank you very much.}

~ You actually have an opinion on the Oxford comma.

~ You go out with your friends and end up talking about Hamlet's psychological state, why you're in love with Emily Dickinson, and how Wallace Stevens was a total nihilist.

~ You care enough to compile a list of things called "You Might Be an English Major If..."

Bonus Round:
You might be a SENIOR English major if...

~ You accept the challenge of writing a paper on a text you have not quite finished reading.

~ You email your professor a question about your paper and justify crossing off "work on paper" from your To Do list.

~ You really hope your professor remembers the amazing paper you wrote freshman year and gives you a massive benefit-of-the-doubt about this current one.

~ You write a blog post about your paper and justify crossing off "work on paper" from your To Do list.

~ You do not crumble at the thought of reading 250 pages in a weekend, and another 400 between Monday and Thursday.

~ You start crying when your professor changes a paper requirement from "12-15 pages" to "10-12 pages."

~ You start crying when your professor postpones a paper deadline by a week.

~ You just generally start crying a lot.

You might be a senior English major at Campbell University if...

~ Your professors are some of the most important and amazing people you've ever had in your life, and you are going to miss them every bit as much as you're going to miss your friends. And free pizza.

I'm not even going to make a joke about Just Kidding I'm Gonna Miss Free Pizza More.

I can't believe this part of the journey is almost over.

~ Stephanie

Why I Freaked Out (Today)

Well. I was sitting in class, listening to the professor wrap up our discussion on Lee Smith. I was thinking about how different Fair and Tender Ladies' plot is, and how different the plot of our next book--A Death in the Family--is from the plots of all my stories. Fair and Tender spans the character's whole life, flowing and falling over the moments she chooses to capture in letters to people she loves. There isn't exactly a climax. There aren't any real plot twists or sudden stretches of intense action. But it's wonderful.

A Death in the Family takes place mostly within a couple of days. The characters sit around and wait and talk and think. You get into their minds in stunningly real ways. The way the children think rings so sweet and true and naturally childlike that it's impossible to imagine a grown man writing the story. But nothing much really happens. As in Fair and Tender, the story's beauty and heart lie in the gentle, raw, realness of it all. The people are real not just because they're "complex," but because we Meet Them.

Lots of books have great characters, characters that seem original and believable, and--until now--that's all I'd ever thought a "well-written character" needed to be. But it occurs to me now that there is a difference between Believing a character and Meeting Them, leaving the book and feeling like you've just had a conversation with someone very old who lives in the mountains, or a little child who wants you to help him understand the world.

Until JUST now, I assumed that one feels like she has "met" a character only if the story is written in first person; otherwise the character is just believable and well-written. But A Death in the Family Introduces you to the characters without ever slipping into first-person narration.

But this doesn't explain why I "freaked out" in class. I freaked out because...I don't know how to write characters like that. I might be flattering myself, but I think I can write believable characters, characters that are at least somewhat original. But writing characters that the reader truly Meets is an entirely new animal, an animal I didn't even know existed much less know how to catch.

I think it has something to do with the type of story, which really fueled my panic. I think it has to do with the stories relying not so much on plot, but on characters. Ivy just recounts her life, in a simple yet poetic way, and the reader followers her as she grows up. Fair and Tender Ladies is crudely lovely, a classic. A Death in the Family conveys Real People and Real Feelings more by observing a family for forty-eight hours than by exploding into a dynamic story arc. The story is gripping and fantastically good.

And then you have my stories.

Girl, Boy, Magic Mirror, Other World. Secret Family, Language Barriers, Epic Journey. Big Decision, Twist Ending.

Evil Lord, Six MCs, Dramatic Escape. Rescue for World, Love Triangle, Complex Culture.

Ancient Civilization, Laws with Unintended Consequences, Resistant Love. Big Realization, Thought-Provoking Moral.

I think my stories could be good. I think I could maybe write them well and maybe get them published and maybe people would read them and like them. But I am afraid they won't ever be Great in the way the books I read for school are Great.

In my wildest, wildest, silliest dreams, I could be in the category of J. K. Rowling--and I would be absolutely floored and honored and ecstatic and lucky if I were.

But...there's such a difference between the outstandingly successful Harry Potter series and the writings of Lee Smith, James Agee...Shakespeare, F. Scott Fitzgerald, Nathaniel Hawthorne, Edgar Allan Poe, and all the things I read for my classes.

What do you have to do to be Great? What is it that these authors have?

And how can I get it?

Can I ever get it? Am I "that kind" of writer? Do I want to be? Or do I want to be J. K. Rowling? (What writer WOULDN'T want to be J. K. Rowling...?)

I don't know the answer to any of these questions. And for a girl who has always assumed she would one day be a writer, that causes a freak out.

~Stephanie

I've Been Reading

Since school ended, I've been able to start reading for fun again.

"Read," is the advice always given to budding writers. Actual practice helps your writing improve too, but reading... It seems to train your mind to Hear and See the world with capital Hs and Ss.

When your car rushes through a rain puddle, the sound registers as "a lush hiss" instead of not registering at all. A dance recital audience reaction becomes "an appreciative rumble of laughter" instead of just "chuckling." You have conversations and naturally detect things like others' "clunky giddiness"or "apologetic authority."

To me, words give the world more substance. When I read a lot, I start to sense the depth in the molecules around me. It's not like the world is brighter; it's like I start to see new colors. Everything isn't more beautiful, but everything is more intentional, specific. I'm not sitting on my couch; I'm sitting on My Couch, where I had a kiss that tasted like ramen, where I first fell asleep on Gabe, where I once cried a tear stain into the cushion.

When I immerse myself in words, everything feels more real. It's like tapping a secret source of energy.

I guess this makes sense, seeing as the entire world is Words. "In the beginning...the earth was formless and empty, darkness was over the surface of the deep... And God said, 'Let there be light,' and there was light."

This entire world is literally words. There was nothing, and then God spoke, and from His words came the existence that I now try to describe with my own words, like "lush hiss" and "appreciative rumble." Is that redundant? To use words in an attempt to express/describe/create a reality that is already so perfectly linguistically expressed that it is actually tangible?

"In the beginning was the Word, and the Word was with God, and the Word was God. He was with God in the beginning."

Jesus is--maybe literally, maybe figuratively, maybe spiritually (which is probably some inexpressible middle ground there)--Words. God is Words. He made our world of words with His words. We are in this world, made in the image of God. We are spoken. We are words. The light is words; the water is words; the land is words; the day and night are words.

So yes, it makes sense that everything gets more beautiful and more real when I connect with words. Don't you understand the ocean better when you jump in?

Words are fun and powerful and persuasive and enduring and endearing and funny and piercing and beautiful and satisfying and frightening and dangerous. I like words, on principle, because I am a writer and a reader and I like to reason and persuade. But even deeper than that, I like words because I think they are cosmically important. When it all comes down to it, the world is just atoms and energy and space.

But when atoms and energy and space come down to it, they are all words.

~Stephanie

Writer's Constipation

There are words inside of you. Tons and tons of Words. There are so many words inside your head that it's physically uncomfortable. You can feel them like a pressure behind your eyeballs. There are too many words to keep inside.

You smile. Cool. So you can write. You'll write. How exciting!

So you sit down at your computer, or pull out a notebook and pen. You stare at the blankness, and prepare to write. The words leap to the tip of your mental tongue. You wait for them to make the final connection and spill forth.

But they don't.

You put your fingertips directly on the keyboard, hoping to signal your words that it's time to come out now. This is their cue. Nnnnnnnnow.

But they just sit there.

You frown and make a conscious effort to dislodge the words from your mind. You close your eyes and try to hunt down a good word. Just one word that feels right. An adjective maybe. Or a name.

You picture yourself running around in your mind, arms outstretched, chasing a small word in block letters. "Come ON!" you demand. "It'll be FUN. What is WRONG with you?"

Eventually you might catch a word, but the satisfaction slinks away as the word glares at you. It doesn't perform. It just sulks there on the page alone, crossing its arms and hating you. It's not fun. It's just a pain in the butt, and you backspace it, half out of spite.

Forget words. How about an Idea? A word is such a specific, elusive creature; an idea can be led along much more happily. Just moments ago, there were a lot of ideas skating around in your head, graceful and strong and silver, like a spiderweb.

Your mind's hand drifts out to take one, but instead of sticking and blossoming, the idea goes limp and disintegrates. Just when you think you have one, it leaves. There's a terrible mental dryness leftover, like your head needs a drink. Maybe a stiff one.

So you sit there, staring at the blankness in front of you, feeling full of words, but unable to produce a single one. You stare at the blankness, frustrated and uncomfortable, and watch the moment tease you, and flee. The urge to write fades slowly as the irritation builds in its place.

There was something great there, you knew it, but now it's lost, gone, and it's not even your fault. The injustice. The frustration. The hurt.

Some call it writer's block. But that's not the most accurate description.

~Stephanie

A World Spinning on Words

What if writing goes out of style? What if books become obsolete? What if one day, the last of the writers dies, and from then on, people just sit around and text and watch movies and talk? Maybe even handwriting will become extinct.

What if people forget how to write? What if imaginations get smaller and weaker until all people talk about are real events and the here-and-now?

What if novels are put in display cases in museums and people look at their covers and think, “Someone made up stuff and stuck it together with words for fun. Who does that? How weird.”

But you know what? I doubt that will happen. A lot of things have come and gone, but stories, words, and sharing have never faded. They’ve been around since the beginning of time. Humans have an innate desire to remember, create, discover.

I can’t imagine a world where words aren’t valued by a single person; a world where everyone goes around throwing out words that are “close enough;” a world where no one gets chills when words are put in a painfully beautiful order.

I think someone will always be writing.

But how much can be said, really? There are many words, but so many people, so much time. Will we ever reach a point where everything has been said? Will there come a point where every combination of words, every pattern, has been penned?

I don’t think so, but if that time does come, I think it will be time for the world to end; to quietly fold on itself in satisfied darkness, like a blanket. Tender, gentle, crisp finality will settle over the earth. When everything has been said, thought, experienced, loved, trusted, written, mocked, taught, and pleaded, what is left to live for?

The last written words would be like the final piece in a puzzle, or a dying man being forgiven, or lying down after a rough day.

Of course, if that time comes, it will be something new to write about, and someone will capture that moment and write it and keep the world spinning just a little bit longer.

~Stephanie